Cowtown

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I should have known I’d make a good fool the first time I put on that stupid fucking paper ice cream cone hat.

Summertime in this thriving strip mall/dying farm town is rough. There is nothing much to do—all of the kids that can afford to fly home and sleep 12 hour nights in beds they don’t make do so. The rest of us look down the barrel of three hot months that smell like manure (the dying farms), chemical-laden asphalt (from the all the new parking lots and shit) and exhaust (from the interstate).   You know, come to think of it, the first wave of departures in June doesn’t feel bad at all. It’s nice to imagine life without racket of dum-dums at the fraternity next door—a dying fucking tradition anyway, I mean, Jesus, how do you have ONE fraternity? I guess you just have to come to Cowtown for that.

Cecilia and I had been broken up since late spring and I knew she was lurking around for the summer, not because she couldn’t afford to go home, but because she had real bad issues with her stepfather.   And possibly because she wanted to stay close to me.

I’d been working at “The Scoop Soda Fountain” in the town’s only “Legitimate (Mini) Mall!” for a few months when I was still dating Cecilia, so when she appeared that day in August with her mascara all smeared, trembling under the Food Court’s enthusiastic AC, Clarence hollered a greeting before he saw her state. Then he ducked his head and shouldered close to me. I was sweating, suddenly, standing over the sorbets.

“I think that’s your cue, dog,” he whisper-ordered, and since he was my boss, I folded up the hat and by some pre-arranged drama narrative arc, met Cecilia at a sticky round table off to the side.

She cleaned herself up and tried at a smile and I’m half-southern, so I had to smile back, even if I felt like sprinting for the north exit. But as I felt my face muscles work, I was seeing, in my mind, the night that Cecilia tried to throw herself into traffic because I broke up with her (I broke up with her because she had broken up with me, fucked this corn-fed wide receiver and then convinced me to get back together). And right at that same moment at that sticky table, I swear to God, a faux-farmer (actor, I imagine) in cartoonish overalls walked by leading a very well-groomed, very cute Holstein calf on a leash, swarmed by cooing toddlers. And Cecilia did this thing that she knows how to do where she giggles in a perfectly delighted, impulsive, young way, right through her red eyes and over her smeared cheeks, and I don’t care if you just lost your pet calf, you smile.

So I smiled.

And she leaned in and hooked my wrists and wrestled our noses close and started in on a monologue that combined erotic promise and tearful plea and I felt my heart sink and other parts rise and then Clarence appears with a banana fucking split (there was an actual cherry on top) singing in his goddam gospel baritone “Reunited—and it feels so good,” and Cecilia is smile-crying now and I took a spoonful of hot fudge that she pushed toward me to earn time because I’m pumping my brain like brakes gone out to stop this and then, I swear to God, Sinead O’Connor is singing through the mini-mall megaphone speakers (so I can’t even blame Clarence), “Nothing Compares,” and Cecilia doesn’t even have to work at it anymore, Clarence is watching, big arms folded, nodding along, and some large stroller pushing mothers who have parked for milkshakes are weepy and grinning at us and I know that the following chapter of time in Cowtown—however long it turns out to be—is going to feel a whole lot more torturous than the summer ever did.

And so I kiss her.

OF CRANES & GULLS: SEATTLE INNARDS

 

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The Denny Way/Broad Street exit off of 99 during morning rush hour feeds vehicles into a gridlocked bottleneck Seattle-style.  You are not merely surrounded by construction cones and signs—blazes of orange—and a few lackadaisical flaggers always smoking for some reason. It’s a virtual dystopian clusterfuck panorama: the broadside of a half-gutted, half-built condo tower that can’t help but remind one of the Death Star; lanes doglegged into zags as if by some divine civic hammer to make room for the elbows of as-yet unlaid lanes; banana yellow construction cranes framed by narrow alleys, poised to drop in or lift out a dose of steel.  Pushing back against all of this novelty are old Seattle icons: the pink neon elephant spins as ever; the space needle lays down its hypodermic shadow; the monorail chugs glumly now below much instead of above most, a depressed septuagenarian caterpillar. 

            The men who stalk the off-ramp with cardboard signs for spare change are arguably both new and old Seattle.  They have sometimes vanished due to inaudible clicks of the social service economy or city policy.  They have often reappeared in larger numbers, more haggard than before.  Today the Asker clasped the cardboard plea to his parka with one hand, a bag full of corn chips with the other, pausing to cast handfuls skyward.  Desperate gulls wheeled and screeched against the winter sun like a tribe’s ritual appeal for good favor.  The man grinned and tossed, watching the faces of commuters for reaction, reading our impressions of his wild dance of charity, hoping maybe for the same from us but delighting regardless in the rain of corn chips and gull shit on hybrid hoods, the vapor of his breath in the splintered gold of the sunrays.  One old bird perched tranquilly on his shoulder, too dignified to beg.  Just waiting for the light to change, for the man to reverse course, for our wheels to turn, for the offering, lifted to his beak.  

THE WAR FOR AMERICA (WE’RE WINNING)

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Being a media junkie often sucks.  Far from prurient, sensationalism-seeking, soulless, pale geeks shoveling celebrity joys and miseries into their slack jawed maw, many people I know who might be accused of this moniker are actually deeply empathic—to say nothing of deeply political.   They feel a responsibility to know what is going on in the wider world from day to day; for some, it’s simply a commitment to keep watch on what our tax dollars do to other peoples; for some, it’s a passionate desire to stay on top of the latest versions of oppression (think NSA wiretapping); for some, yes, it’s an unhealthy sort of addiction to tragedy and injustice that produces less catharsis and more stagnation.  I’d like to think of myself as the prior—a privileged white American male who feels some responsibility to know day in and day out what the vast majority of people in America and the wider world are experiencing.  Call it peeling an eye for where and how to be an ally.  And the argument can be made, too, that simply being aware of what’s going as a member of privileged class that doesn’t “need” to expose himself to such quotidian sorrows as the death count on Chicago’s south and west sides (500+ YTD), is being an ally.  If only because it gives you something to verbally punch the idiot at the hardware store with if he gets going on sanctity of the 2nd amendment.  Especially in this era of jacked-up, super-fueled right wing smack talk and draconian legislatures (hi, NC!), to many of us “junkies,” I think, it feels important to stay tuned in the same way it’s important to stay warm before boxing match.

 

But there is also far too often a gap between empathic pain/outrage and any reasonable possibility of action.  In other words, far too much of what I consume about the suffering world is not properly digested.  I try to find ways to speak out or take action or, at the bare minimum, incorporate what I’m learning into my worldview so I might sometime serve someone with a connection or understanding that they don’t expect.  And sometimes I write. 

 

So I’m taking the chance today to write in a celebratory vein.  In the last week, the United States crowned its first ethnic Miss America. Nina Davuluri wore the tiara at the end of the day.  And in the last week the United States saw its first transgender person chosen as homecoming queen.  Cassidy Lynn Campbell wore the tiara at the end of the day. 

 

The fact that both Davuluri and Campbell immediately were assaulted with hateful backlash is not surprising, nor does it mean very much.  I’m saddened by the focus of much of the media on tweets toward Davuluri that suggest she is a terrorist infiltrator, or commentary direct at Campbell that she is just a boy playing dress up.  But then again, maybe focusing on the tone and content of that backlash is wise.  Maybe by casting the depth of that ignorance into the limelight along with the beautiful young women wearing those tiaras, the juxtaposition will move someone, somewhere in middle America who’s just not sure how they feel yet about such radical change. 

 

But radical change it is.  Gay marriage is sweeping the nation, marijuana prohibition is finally eroding, gun control is flaring as a debate at least, some healthcare reform is coming despite the blood surging through Boehner, and  in terms of foreign policy, at least it is now, more than ever, also under the flashbulbs.  It must be a horrible time to be a xenophobic, homophobic, militant fundamentalist.  We ought not be surprised if we hear many explosions of ire from that quarter as a result.  But we ought to listen to just how dumb and tired they sound and know that they’re loud because they’re losing. 

 

Even at corporate beauty pageants and football games.